French experimental guitarist and composer Nico Guerrero and American artist and producer R.M. Hendrix come together for an improvised performance that exists somewhere between drone, ambient, shoegaze, and experimental sound. Rooted in a shared fascination with harmonics, overtones, texture, and resonance, their collaboration abandons conventional song structures in favor of slow-moving sonic landscapes that unfold intuitively in real time. Both artists—now based in Reykjavík—trace their musical origins to dream pop while pursuing distinct paths into immersive experimental practice. Guerrero's work transforms a single electric guitar into vast, organ-like architectures of sound through extended electronic processing, informed by decades of exploration alongside figures such as Rhys Chatham. Hendrix's work blends effects pedals and field recordings into cinematic composition, creating emotionally charged environments shaped by landscapes and politics. Together, they create music that is at once fragile and immense—an evolving dialogue of sustained tones, shifting frequencies, and emergent harmonics. Drawing equally from minimalism, drone, film soundtracks, and the aesthetics of science fiction and horror, each performance is unique, guided by careful listening rather than predetermined form. Their collaboration follows a prolific period for both artists. Guerrero recently released Athanor, his acclaimed collaboration with Rhys Chatham, an immersive exploration of resonance, repetition, and sonic transformation. Hendrix's 2025 releases, YUKS and The Hole, continue his exploration of cinematic atmosphere and emotional landscapes, moving fluidly between ambient abstraction, experimental electronics, and song-based composition.